DATE
20 09 2026
On September 14, during the China–South Asia and Southeast Asia Sculpture Exhibition held at the Xi’an
Academy of Fine Arts, the International Sculpture Symposium Alliance (ISSA) met with artists from 10 South
Asian and Southeast Asian countries to hold a meeting on the development of ISSA in South Asia and
Southeast Asia.
At present, ISSA includes 160 sculpture symposia from 70 countries. Southeast Asia, with more than a dozen
countries, a population of 700 million, and an economy entering a period of rapid growth, remains largely blank
in the field of sculpture symposia.

At this meeting, ISSA Secretary-General Liu Yang introduced the development of ISSA around the world to
artist representatives from China, South Korea, Singapore, Thailand, Myanmar, Vietnam, India, Nepal,
Bangladesh, and Sri Lanka, and proposed plans to establish an ISSA South Asia Center and an ISSA Southeast
Asia Center, in order to promote the development of sculpture symposium activities in these regions.
In addition, the participants also discussed Alliance projects such as ISSA-Media and ISSA-YOUTH.

The artist representatives participating in this event included:
Liu Yang, ISSA Secretary-General
Narendra V. Borlepwar, ISSA India Committee Member, Founding Chairman and Executive Trustee of the Global
Art Foundation, India
Om Bahadur Khattr, ISSA Nepal Committee Member, Senior Lecturer at the Institute of Fine Arts, Tribhuvan
University, Nepal
Ajith Manjula Geekiyanag, faculty member at the University of the Visual and Performing Arts, Colombo, Sri Lanka
Sorrakrai Ruangrung, faculty member at the Faculty of Humanities and Social Sciences, Phetchaburi, Thailand
Vu Binh Minh, lecturer at Hanoi Architectural University, Vietnam
Pradeep B. Jogdand, Indian sculptor
Bharat Singe, professor at the Guangzhou Academy of Fine Arts
Lim SooNgee, professor at Nanyang Academy of Fine Arts
Tejosh HalderJosh, Bangladeshi artist
Imam Hossain, Head of the Department of 3D Art and Design, Jagannath University, Dhaka, Bangladesh
Myat Thiri Aung and May Zin Htwe, faculty members of the Department of Sculpture, National University of Arts
and Culture, Myanmar
Jung Chang-dae, faculty member of the Department of Sculpture, Sungshin Women’s University, South Korea
Wang Shanshan, faculty member at Quanzhou Institute of Information Engineering
Zheng Xiaoxiong, faculty member of the Department of Sculpture, Guangzhou Academy of Fine Arts
Zong He, faculty member of the Department of Sculpture, Xi’an Academy of Fine Arts
Zhou Jianhong, faculty member at Chengdu Vocational University of Art
Han Xiaolun, doctoral researcher at Sungshin Women’s University, South Korea
Huang Zhiyong, graduate student in the Department of Sculpture, Xi’an Academy of Fine Arts
Editor-in-Chief: Liu Qin
English Editor: Sun Ya'nan
Legal Advisor: Tao Ran'ting